During this week a colleague of mine and I were discussing a band that she quite enjoys. I commented that while I think this band are good at what they do, I find their music derivative and therefore have never really given them much attention. Her response to this was that she sees nothing wrong with a band being derivative if they produce enjoyable, good music. My response to her comment expressed the idea that part of the point of the creation of art is to create something unique and distinctive, as opposed to something that is merely a re-creation of something that already exists. Ultimately, there was no resolution to the discussion, but this conversation got me thinking about the nature of music and its relation to modes of production and consumption within post-industrial society. I will argue that while music may not need to be creative or original to be good, that the presence of original music is necessary in post-industrial society as original music forces us to recognize the beauty of art, so that we can fully appreciate it, rather than merely seeing music as a commodity and consuming it.
Within contemporary post-industrial society music is not only an art form; it is also a mass produced commodity. The commodity nature of music means that we tend to consume music as opposed to appreciating its beauty; we listen to music not as a response to beauty of the music, but rather because we know that we will gain enjoyment from listening to the music. In this sense we look for the musical product that is most likely to give us a reasonable rate of return in terms of enjoyment relative to our investment in the product. As a result of this, beauty becomes dissociated from music as we do not see music as something beautiful that we need to fully grasp, and appreciate, but rather see it as something that merely delivers enjoyment, just like any other commodity.
Derivative music is typically consumed unthinkingly. If I have a heard a particular form of music before, and I stumble upon another band that performs this style well, my experience of their music will not draw attention to the beauty of the music, as the music will simply appear to me as something ordinary that provides me with enjoyment, rather than a beautiful object that needs to be appreciated. In this sense the consumption of derivative music sits fairly comfortably with the dissociation of music and beauty.
On the other hand, original music serves to reconnect music and beauty such that the listener is drawn to appreciate the beauty of the piece of music, rather than merely seeing the music as an instrument of enjoyment. This occurs as original music provides us with a unique experience that pulls us out of our everyday pre-reflective mode of operation. When I hear a form of music that I have never heard before, whether I like it or not, I am drawn to understand that form of music precisely because it is so alien. The alien nature of the music calls on me to grasp it. Furthermore, in trying to understand that form of music I am drawn to recognize its beauty. Consequently, original music as opposed to derivative music allows us to once again realize that music is more than a commodity; rather, it is an attempt to create something beautiful.
Seeing the relationship between music and beauty is important because this relationship is integral to the practise of the composition of music. The composer of music is not a clever entrepreneur trying to create an attractive product, but an artist trying to create some new manifestation of beauty in the world. Therefore, If one sees music merely as something that provides enjoyment one has failed to understand the practise of the composition of music. This failure seems particularly egregious as the creation of music seems to be a significant practise in nearly all human societies and thus to lack understanding of this practise, is to lack understanding of the human condition in general.
So it seems that both my colleague and I made valid points. Derivative music can be beautiful, and consequently good, but creativity is necessary in music, in a post-industrial society, as the experience of creative music ensures that people will be able to see, and fully appreciate, that music is not merely a commodity, but the attempt to create something beautiful.